"A table, a chair, a bowl of fruit and a violin— what else does a man need to be happy?"    — Einstein

Faculty

Arthur Austin studied at the Curtis Institute of Music with Fred Ormand and Anthony Gigliotti. He has performed in numerous orchestras including the San Francisco Symphony, San Francisco Opera, and Honolulu Symphony; and has served as principal clarinetist in the Kansas City Philharmonic, San Francisco Opera Center ,Western Opera Theatre, Donald Pippin - Pocket Opera, Lyric Opera of  San Francisco, and West Bay Opera among others. He has performed at music festivals across the country including Marlboro, Carmel Bach Festival, Cabrillo Festival, and Tanglewood. Mr. Austin’s diverse musical interests have led to performances of New Age music in Los Angeles and the Bay Area, recordings with Tantra Productions, contemporary music world premieres including Hotel Casablanca with the San Francisco Opera Center, and performances with Kenny G.

Christopher Fulkerson was born in Sacramento, California. He attended the Conservatory of Music at the University of the Pacific and later the University of California at Berkeley, where he received his Master's and Ph.D. degrees. He has worked in music in a wide variety of professional and academic capacities, from giving world premiere performances of works he has commissioned; to forming ensembles large and small, professional and amateur; to leading and teaching non-professionals and children. Mr. Fulkerson has written some fifty works of dramatic, symphonic, chamber, choral and solo music. Dr. Fulkerson has taught at the University of the Pacific in Stockton, California, and at San Jose State University. He has conducted the San Francisco Lyric Opera. In addition to the contemporary music chorus, Ariel, Fulkerson also founded the Berkeley Opera Chorus, the Composers Chamber Players, The San Francisco Lyric Choral and other groups, and the Musicianship Program of the San Francisco Girls Chorus, for which he wrote and taught from the three-volume textbook in fixed chromatic solfege, Vocal Musicianship. His teachers include Andrew Imbrie and Edwin Dugger.

David Jaconson studied at the Curtis Institute of Music in Philadelphia with Ivan Galamian. He continued his musical education at Boston University where he earned a Masters degree. He has performed in the master classes of Nathan Milstein and Leonid Kogan as well as studying with Jacob Krachmalnick, Eudice Shapiro, Jaime Laredo, Paul Mckanowitsky and Raphael Druian. He has studied chamber music with Arnold Steinhart, Felix Galamir, Mischa Schneider, Isidore Cohen, Leonard Schure, Eugene Lehner, and Louis Krasner. He has studied conducting with David Milnes at the University of California at Berkeley. Mr. Jacobson has appeared as soloist with the San Francisco Symphony, San Francisco Chamber Orchestra, as well as other orchestras in the United States. He has played recitals in London, Amsterdam, Berlin, and Vilnius. He is a former member of the Ives Trio, which has played concerts throughout New England including Lincoln Center. He is currently the director the Jacobson School of Music.

Audinga Jacobson brings to the Bay Area extensive performance and teaching experience in both Europe and the United States. She is a distinguished representative of the Russian school of violin playing. She continues the tradition of David Oistrakh as taught by her teachers Alexander Livortas, Victor Radovich, and Dana and Yuri Mazurkevich. Her method of teaching with modification from her association with American pedagogical methods, combines the best aspects of both traditions. Ms. Jacobson is also an accomplished pianist studying for 15 years with the renowned Lithuanian pianist M. Rubackiene She was a first prize winner of the national Lithuanian violin competition. She has toured Europe extensively as a member of the Lithuanian State Symphony Orchestra and Chamber Orchestra. Ms. Jacobson received two Masters Degrees from the Lithuanian Academy of Music – one in violin performance and one in chamber music performance. She has appeared as soloist in television and radio broadcasts for both Lithuanian national television and radio. She was host for several years of a musical education program for children on Lithuanian national television. She has appeared in solo recitals and chamber music performances throughout New England.

Janet Ketchum, flutist, has enjoyed a varied career in music. As a performer, she was principal flutist with SF Ballet and SF Contemporary Music Players for over 12 years and solo recitalist with grants from the National Endowment for the Arts and California Council on the Arts for 14 years. Currently, she has been principal flutist with Pacific Chamber Symphony for the past 18 years. She was the flute instructor at Santa Barbara's famed Music Academy of the West for five years, taught chamber music and flute at Dominican College, Pomona College, San Francisco Conservatory and San Domenican School. She is music contractor for orchestral recording projects at Skywalker Ranch having contracted for many notable motion pictures and video games including "Seventeen Again", "Ghosts of Girlfriends Past", "Zodiac", "Hellboy", "Spykids", "Inspector Gadget", to name but a few. This past season she appeared as soloist Nadja Salerno-Sonenberg and The New Century Chamber Orchestra. Janet is a graduate of the Curtis Institute of Music.

Zibuokle Martinaityte was born in Saint Petersburg, Russia. She studied composition at the Lithuanian Music Academy under Bronius Kutavieius and Julius Juzelienas where she earned her Masters Degree in Music Composition. That same year she received the “Kulturkontakt Austria“ scholarship for participation in the 6th International Academy for New Composition and "Audio Art" in Schwaz/Tirol, Austria, where she studied composition under Boguslaw Schaffer, computer composition under Marek Choloniewski and audio art under Horst Rickels. In 2000 Martinaityte participated in the composition workshop at Centre Acanthes 2000/Ircam, where she studied composition under Johnathan Harvey, Magnus Lindberg and Tristan Murail. Also, in Royamount, France, she studied composition under Brian Ferneyhough. In 2001 she was awarded a fellowship for creative residency at Kunstlerhaus Lukas der Stiftung Kulturfonds, Germany. In 2004 she was served a residency working with the symphony orchestra in Stavanger, Norway, where she studied composition with Ole Lutzow–Holm and orchestration with Ch. Engel. Martinaityte's music has been performed throughout Europe, Canada and the USA.

James Matheson grew up in Los Angeles where he began his oboe studies with Robert Frost of the Los Angeles Philharmonic.  He also studied with Glen Johnston of Los Angeles, Merrill Remington, former principal oboist of the San Francisco Symphony and the San Francisco Opera Orchestra, and Henri Debussier of the Queens Hall Orchestra, London, the New York Symphony, and the Los Angeles Philharmonic. After high school, Mr. Matheson joined the Army and was stationed with the Sixth Army Band at the Presidio in San Francisco. Shortly afterwards, he received a B.A. in music from S.F. State University then toured the U.S. with Arthur Fiedler’s Boston Pops Tour Orchestra. Mr. Matheson joined the San Francisco Symphony and San Francisco Opera Orchestra in 1962 and served as the principal oboist of the Opera for 44 years upon his retirement in 2006. He has taught at San Francisco State University and currently teaches oboe at Stanford University where he was also a founding member of the Stanford Woodwind Quintet.

Rufus Olivier currently serves as principal bassoonist with the San Francisco Opera and the San Francisco Ballet. At age 21, he joined the San Francisco Symphony before moving to his current positions with the Opera and Ballet. Mr. Olivier has soloed with numerous orchestras throughout the United States, Japan, and France. He has premiered new works for the bassoon and was featured in live radio recitals in Los Angeles. He is a founding member of the Anchor Chamber Players, the Midsummer Mozart Orchestra, and the Stanford Wind Quintet. Mr. Olivier has also  recorded many movie, video, CD, and TV soundtracks including Disney’s Never Cry Wolf; San Francisco Opera’s Grammy-nominated, Orphee et Eurydice; and Elmo in Grouchland, for which he received a Grammy Award. Prior to arriving to the Bay Area, Mr. Olivier performed with the Los Angeles Philharmonic under Zubin Mehta, the Los Angeles Chamber Orchestra under Neville Marriner, and the Goldofsky Opera Tours. He studied with David Briedenthal of the Los Angeles Philharmonic and is on the music faculties of Stanford University, Azusa Pacific University, and Mills College. In 1993, Mayor Frank M. Jordon Awarded Mr. Olivier The Seal of The City and County of San Francisco, in recognition of his “Exemplary Accomplishment On The Occasion of Black History Month.” In 2005, Rufus was featured as the February cover story of International Musician and received the Award of Merit from the United States Postal Service.

Sergei Riabtchenko received a Bachelor degree from Pushkin Music College in Russia, where he was the Grand Prix winner of the Moscow Young Musicians Festival. He received his Masters from the Moscow Conservatory of Music, and performed with the Moscow Symphony Orchestra until 1990. Upon moving to the United States, Mr. Riabtchenko taught for three years at San Francisco State University and currently performs with the California Symphony Orchestra and the Arlekin String Quartet. He began teaching at San Domenico in summer 2000.

True Rosaschi is a native Californian. He studied improvisation and composition with W.A. Mathieu. Finishing his undergraduate studies at The California Institute of Integral Studies in San Francisco, he moved to Paris to study at IRCAM and was part of a year-long composition course at the Center of Composition for the Music of Iannis Xenakis - CCMIX. Mr. Rosaschi then entered the Electronic Music and Recording Media program at Mills College of California where he earned his Masters degree in 2003. There he studied composition with Alvin Curran, Fred Frith, Maggie Payne, and Pauline Oliveros. Most recently, Rosaschi was in residence at the Visby International Center for Composers in Sweden. His work has been performed in the United States and throughout Europe.

Currently a Lecturer in Composition & Music Theory at the University of California, Berkeley, Mr. Vassilandonakis holds MA and Ph.D. degrees in Composition from Berkeley, as well as a Bachelor of Arts, summa cum laude from UCLA, and a degree in music theory from the Hellenic Conservatory in Athens. He has also studied in Paris with Philippe Leroux, at the École Nationale de Musique et de Danse, Erik Satie, as the recipient of the George Ladd Prix de Paris . An active composer in both the United States and Europe, Mr. Vassilandonakis has a diverse portfolio of music for all genres, including vocal, instrumental, choral, orchestral, and electronic, as well as opera, and several film, TV and theatre scores. Yiorgos' music has been commissioned among others by the National Opera of Greece, the Athens Camerata, the Alexander S. Onassis Foundation, ALEA III, the Meridian Arts Ensemble and the French Ministry of Culture, and featured at the Aspen, Ernest Bloch, Domaine Forget and Music 04' Music Festivals, as well as at the Patras Contemporary Music Days Festival, where he won 1st Prize. Additional awards include 1st Prize at the Composition Competition of the Mediterranean Music Centre, the Eisner Prize in Music, the Nicola di Lorenzo Prize, the Hellenic Composers Union award, the Henry Mancini award for his film work, an AMC composer assistance grant, two SCION/ASCAP region VIII distinctions, as well as a composer residencies at Cité des Arts, Yaddo, and I-Park. He is the composer-in-residence with the Worn Chamber Ensemble in San Francisco, and has also taught at the Centre de Création Musicale, Iannis Xenakis. His principal teachers include: Philippe Leroux, Edmund Campion, John Thow, Cindy Cox, Richard Felciano, Jorge Liderman, Paul Chihara, Paul Reale, Ian Krouse, Roger Bourland & David Lefkowitz, film music with Jerry Goldsmith, and conducting with David Milnes.